10/30/2017

Weekly Basslines #229: Words (Between The Lines Of Age) (Neil Young)

The final song from Neil Youngs 1972 masterpiece album "Harvest" has some interesting time signature changes from 6/8 to 5/8 (also could be notated as 11/8) in the intro and interludes and 4/4 in the verses and chorus.


To play along with the recording I recommend counting in eighths notes:


Here's the complete transcription:



I also recorded a PlayAlong-Video with counting advice for this tune:



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10/23/2017

Weekly Basslines #228: Crazy Train (Ozzy Osbourne)

Isolated tracks are a real blessing when it comes to accurately transcribing a bassline. Often the individual notes played by the bass are burried deep in the mix of a recording and you can't do nothing else but guess what's actually been played. Ok, with the time you get a little routine of what the bass is likely to play on a certain progression/groove situation, but you're never 100% sure.
Fortunately I found an isolated track to this weeks bassline on the website of the orginal player himeself: Bob Daisley:


....and here's the complete song:






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10/10/2017

Weekly Basslines #226: Starman (David Bowie)





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More David Bowie Transcriptions:

Heroes & Let's Dance




9/26/2017

Weekly Basslines #225: La Sitiera (Oscar D'Leon y su Orquestra)

One of my students recently joined a band that plays latin music. He gave me a list of songs and now we're exploring the wonderful world of south american and caribbean styles.


Here’s the first song we did:


La Sitiera” is basically a “bolero”, a cuban style which features a slow 2/4 rhythm and must be clearly distinguished by the spanish "Bolero" which is in 3/4 time.

The main rhythmic elements of cuban bolero are played on shaker (maracas) and congas:


A basic bolero bass pattern is played like this:


I described "La Sitiera" as basically bolero because in some parts of the song the rhythm changes to a Cha-Cha, for example in bars 33 – 36 (1:28min.), bars 41 – 44 (1:44min.) and from bar 61 until the end.

Charateristic elements of the Cha Cha groove are;
  • -          the cowbell plays on every quarter note
  • -          the guiro plays a pattern alternating between quarter and eighth notes 

  • Guiro
  • -          the characteristic conga rhythm has two distinct open hits on the high conga on beats 4 & 4+



As you can see the Cha Cha is notated in 4/4 (that's the reason why I notated the whole song in 4/4).

Here’s the bars 33-36 with a characteristic Cha Cha bassline:


Here's the complete transcription of "La Sitiera" by Oscar D'Leon y su Orquestra:



Last year I did another transcription of a cuban bolero:

9/20/2017

Weekly Basslines #224: Another Day In Paradise (Phil Collins)



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9/14/2017

Weekly Basslines #223 - The Beat Goes On/Switchin' To Glide (The Kings)

"The Kings" are a Canadian rockband formed in 1977. Their best known song "The Beat Goes On/Switchin' To Glide" was recorded for their debut album "The Kings Are Here" in 1980.
This is another request from Sherry & Matthew from Michigan.